The other day someone asked me if I was excited about teaching a class beginning June. It made me reflective. It is a great responsibility and honour to be able to share yoga at the institute. But, what excites or rather inspires me is the learning and approach towards another facet of my practice, that of study from the perspective of a disseminator.
My role will be simple, it would be to conduct a class, to share experience of asana. The poses in the syllabus have been in my repertoire for close to a decade in various avatars, independent, supported and denied. Each phase with its unique experience and understanding has meant a continuous evolving. All that I know of the pose comes from the pose itself, from how it feels within my embodiment.
Yesterday, I worked on the triad of Virabhadrasana 1-2-3. It is interesting to see the progress of its teaching from first mention in Light on Yoga to subsequent renderings. With the changing canvas of my body, much of my practice is supported or modified. And yet, smrti had a wonderful aklishta moment as I recollected a long ago class of how Bhujangasana could inform the pose. Post practice, there was a luxurious patch of time to study and ruminate.
While I’ve mulled over the story of Virabhadrasana earlier, what I was reminded of was Guruji’s classification of stages of practice by varna. As a series, we learn 2 first before moving to 1 and then 3, with sufficient time to get comfortable in each of them. And yet, from an intensity point of view, the ordering is different. All three are challenging poses for me with the knee, in different ways. Thanks to the challenges posed by parts of my body that are compromised, I have to seek steadiness and ease in the pose. It makes for tinkering.
While Virabhadra had no restraint in demolishing Daksha’s sacrifice, the asanas named after him are excellent exercises in understanding restraint. That takes a while to comprehend and a lot longer to implement in the body. Restraint is not an event, it is a continuum in asana and by extension, in its development as far as our consciousness is concerned. Over time, I see how there is an organic expression of restraint in life.
The forms assumed are elegant in its extension, expansion and circumferential aspects. It’s a great poster pose for sutra 1.20 which talks about shraddha, virya and smrti. In a difficult situation, firm faith moves mountains, making impossible things a reality. Virya is the endeavour to forge ahead in the face of obstacles, within and without. Smrti is the sum total of all our tendencies that make or mar our evolution.
Virabhadrasana is not for the faint of heart and yet thanks to props, it is accesible and reaps rich rewards. I’ve spent many months in a well supported Virabhadrasana 3 as my legs were educated. It is in that complete support that I learned how the pose should be felt. At day’s end, what remains is always how one felt and that is beyond language.