Thoughts on Learning

Learning through the week is eclectic with classes ranging from beginners to advanced. Instructions as well as philosophy nuggets also stride this bridge and it is a bit unwieldy as I try to synthesize them. Each class opens the subject so differently! Until last year, it was easier to make sense of a week as there was usually the lens of the weekly format of asana categories. But, now I find it quite unruly for my untrained brain. Imagine a student attending the same subject as an undergrad, post grad or PhD candidate. It requires a shifting of gears as well as consolidation and a judicial application of what one has learned and assimilated. It is a wonderful opportunity though, to observe how the mind pivots to adapt.

Assisting in class has additionally changed how learning happens. There is more sharpness in executing instructions rather than simply doing what I know. It is quite different from being a student and yet one is very keenly a student too. While helping a few people in bolster Setuband Sarvangasana last evening, I was reminded of the same asana in my first year when someone adjusted me. There was an aha moment when the edge of the prop was in the right spot and changed the dynamic of the asana. I saw that same light in the eyes of those who got the right location. Lessons come back to us in different ways.

Learning yogasanas can be achieved in a studio/ class format or in the Guru-shishya Parampara, the latter is much rarer these days. I guess for that system to thrive, there is a level of surrender required of the students that most of us may not be able to muster. Back when it was the norm, the student lived with the teacher in the ashram as part of the household, involved in assisting with the chores and attending to study matters. There is a certain purification in that process, a shedding of layers that prevent receptivity. Guruji learned from Krishnamacharya in that fashion. I don’t know if the likes of me can cope with the rigour in that kind of learning.

Guru-Shishya Parampara has been a theme I’ve been ruminating over especially as one of the books I’m currently reading is based on a student’s rendering and reminiscing of his Guru’s teachings. (Aghora Trilogy). He talks about a teacher who didn’t hesitate to give his students a tough lesson. If one can step away from the viewing the relationship as one of power play, there is actually immense compassion, provided the Guru is authentic. Since a little before Guru Purnima and after, I’ve been thinking about the 24 gurus of Dattatreya and examining my own teachers and Gurus. All the teachers he talks about are part of nature’s expression and he is attentive to the lessons they can teach.

“… I have taken shelter of twenty-four gurus, who are the following: the earth, air, sky, water, fire, moon, sun, pigeon and python; the sea, moth, honeybee, elephant and honey thief; the deer, the fish, the dancing girl Pingala, the kurari bird and the child; the young girl, arrow maker, serpent, spider and wasp…”.  

If I had to think of a key learning from the week, it would be ‘desha‘ as explored through preparing the body for Pranayama. In the opening sutra of the 3rd pada, Patanjali says, “Desa Bandhah Cittasya Dharana” and later proceeds to lay out the different locations for samyama and their effects. At a yogasana level, how do we begin to start looking?

Dwi Hasta Bhujasana

Externally, my appearance is deceptive. It seems like everything is in working order and all is smooth. Reality is a different story. Old injuries and surgeries, structural imbalances and degenerative losses as a result of the natural progression of life mean that from ankles (shredded ligaments) to knees (grade 4 chondromalacia) to humerus surgery (thrice) to cervical spondylosis, there is little that has managed to escape the ravages of life. I’m not going to list age related fading but that too adds up. And yet, the miracle of an embodied existence is that healing occurs, changes happen, range, strength and energy are vitalized.

This morning, I decided to do a recorded lesson although I wasn’t sure how much I might be able to follow with a troubled knee. But, there are modifications and common sense is usually sufficient to know when to stop. It turned out to be a balancings class and I learned how to do Dwi Hasta Bhujasana. It was a first, attempting this asana and it was playful. Enter, fall, enter again, fall again until it happened and then happened repeatedly. Eventually, I could hold the pose for a few breaths. And it was a reminder of how basic asanas are so essential to easy, safe and effortless entry into challenging asanas. And somehow Chaturanga Dandasana also seems to have improved although moving into Urdhva Mukha Svanasana without dropping is still not possible.

As always, a new asana means spending time looking at pictures and reading the books. LOY has a different entry into the pose compared to how we entered it today. Many things have become refined since that seminal volume but the book is a wonderful reference. The images are great to see where to go, how to strike a pose. Asana names are fascinating for me and they make me stay with their sounds and feelings. They make me seek to understand what lies beyond the shape and structure, benefits etc. Indra is the deity said to be residing in the hands and I think perhaps, this is a way to explore by steeping into possibilities of the tattvas until they become apparent. Way back before I joined RIMYI, there was a teacher in the neighbourhood who had introduced some esoteric concepts in the classes I was attending. I was intrigued then but didn’t pursue it, somehow there was a sense of caution that these are strong energy practices that should not be attempted without guidance. But, now I find I want to understand and explore actively.

In all asanas, there is tadasana and savasana like Guruji would say. But, it is quite a journey from standing upright to surrendering to the earth.

Backbending in July

Recently, I remembered how, as a beginner, I wished that I could study with Prashantji someday and then it struck me that I was in his class now. And that sort of summarizes my RIMYI journey. Slow, meandering, unexpected but completely organic. The more I attend classes of varying levels, I see the incredible value of the foundational actions in asanas. Keeping at the basics has actually been a faster progression.

The last 2 weeks have been hectic with multiple overlapping deadlines but classes were a constant and they were instrumental in some breakthrough in personal practice. I injured the problem knee over the weekend and so couldn’t do many asanas in the classes. So a switch to the therapy sequence from a few years ago. But this time, I explored some of the kriyas Prashantji talks about and it was illuminating. There is such a marked difference in sensitivity and consequently, access. Like yesterday we were in some quiet Urdhva Dhanurasanas and then were asked to do the regular one without much attention and the violence to the nerves in the latter was so stark. It was like sensing in HD.

Yesterday, Urdhva Dhanurasana was also a learning period as the teachers and assistants worked on each other with hands-on adjusting. It was quite interesting to work with different kinds of bodies, see how the adjustments worked etc. In the bargain, I think I must have done 30 odd Urdhva Dhanurasanas but it was not tiring. I’ve not been practising it much lately and anticipated soreness today but there was minimal discomfort. I suppose there is more skill and less muscular effort in the execution of these poses now.

Speaking of backbends, Sunday’s class was a Chair Vipareeta Dandasana marathon with nearly 90 minutes of the asana, with breaks of course. But, that was again another first for me. Prashantji spoke about yoga as ‘happenings’ rather than ‘doings’ and happenings need ‘stayings’. And somehow that long hour and a half exploration of Vipareeta Dandasana provided the ‘staying’ necessary to move far beyond normal capacity with no distress.

Much of the teachings of yoga are esoteric, hidden in plain sight but the likes of me cannot decode it. It is an extremely slow revealing as one listens to teachers, listens to them carefully, repeatedly and slowly things become apparent, like clouds drifting apart to let the sun appear. At these junctures, there is usually a coming together of different influences speaking of the very same principles. Some of my reading and listening these past weeks have been a case in point.

Most days, I first lie on the Vipareeta Dandasana bridge before the beginning of class. It is the prop that held me through inexplicable heaviness of the heart but now it is a feeling of surrender that I experience. In some sense, it is a prayer, an entering into a sanctuary. The feel of the hard wood on my back and the release of the body as it yields to the support are always a quiet gathering. At day’s end, I’m simply glad for the opportunity to study in person with my teachers, feel the comfort of the call and response of the invocation and experience the gift of one man’s incredible sadhana.

Limbs and Diamonds

First week of every month is usually intense with standing asanas but this week has gotten off to a solid start. Class last evening, today morning and evening. My legs are toast. Bedtime is going to see a long Supta Virasana to meet tomorrow with fresh legs. The limbs are the first organs we work with and it seems apt to have them open every month. Of course the treatment varies through the year factoring the seasons, stage of academic session etc.

This morning was interesting as we spent a significant amount of time in Uthita Hasta Padasana and a few standing asanas before tying it all up in some lolasana, tolasana etc. Padmasana is still tough for me so some of the asanas are not completely available at the moment but it was cool to play with simply getting the palms to join in garba pindasana.

Later in the evening, the teacher referenced a beautiful sutra (3.47). Every time I hear that one, I am instantly reminded of some of the images of Guruji’s poses in his prime. There is such sharp clarity, like the vajra mentioned in the sutra.

Asanas are like sculptures in the sand. They are temporary and yet artists spend significant time and effort in creating their beautiful shapes, imbue it with a certain aesthetic or grace and the entire edifice has an integrity which holds it all together.

Yesterday’s class touched upon the noumenal. At the end of 24 hours and 3 different classes, it feels like a continuum rather than 3 separate sessions. Note to self from sutra 3.14 “‘Point Zero’ indicates the point of balance and harmony at which we can unlock and liberate the knotty confusion of matter and emotion. It also conveys the importance of finding the exact centre of the meeting points of vertical extension and horizontal expansion in body, breath & consciousness.

Unfolding

I was in Prashantji’s online class today and it was a revelation how he managed to make pawanamuktasana such a powerful asana. I don’t think I will ever see it simply as a release pose or a preparatory one for Supta Padangushtasana.

Post class as I sat to gather my thoughts and reflect on what he spoke about, I thought back about one of his earlier classes which revolved around saucha. Today, there was an exploration on satya as well as the prithvi tattva. His classes are an invitation to explore. They are not to be treated as an asana class in the traditional sense as he opens up multiple interlinked points through the 2 hours. And the thing is, each of them are worth an entire practice hour or two over a long period of time.

RIMYI has been a unfolding for me. Sometimes students argue about wanting to go to the ‘next’ level and I feel they miss the point completely. The more time one spends in those initial years, the more ease there is in the later ones. A certain ripening. I see how my body, mind and breath cooperate better now and often surprise me with an effortless entry into never before attempted poses. Today, I experienced a glimpse of what might have been referred to as breath condition, mind condition and body condition in rope sirsasana. It is a comfortable enough asana to be in as there is no physical effort required. And yet there are shifts in the mind and breath. The fluctuations or vrittis have a visceral expression.

Not really related but when he smiles, he reminds me of Geetaji.