Sirsasana and I have a very strange relationship. In my early days, I thought the pose was beyond my reach with a cervical issue. But then, it happened. And since then, it has been a tense relationship. I make progress and then have pause before restarting. Some days, it is effortless but most days, it is a struggle. I cannot stay for too long before the neck groans. This despite the constant ‘lift your shoulders’ refrain running in my head.
I need the grounding of standing poses and a lot of dorsal work before getting into a Sirsasana that I can hold for a reasonable period and if latest observations are taken into account, a fair bit of bound poses. I’ve been able to balance independently, get into multiple variations as well as lift into the pose with both legs straight yet there is no consistency in my mind about the pose. Every time, it is a wondering.
So, today was a Sirsasana practice. Short attempts, multiple attempts to learn, to fight that doubt and fear. The diagnosis was clear, more Sarvangasana. As I get older, I feel the loss of that grip in the body, a certain bewildered loosening. It is part of the ageing process and some days, it is more evident than others. The outsides don’t show it as much as the insides feel it. Hips, they age quicker, I think.
On one hand, there is a certain resignation but on the other, there is a fighting back, not against the decay of the body but the giving up of the mind. It is easy to slide. So, we get back, try different approaches, quite like trying to climb an inaccessible mountain. Nothing is lost, no attempt is futile as each brings its own revealing. What do I gain from this seemingly body centric practice? Perhaps a period of time completely engaged in a pursuit with no distraction. For that time, the constant chatter in the mind is channeled into absorption in the asana. While yoga is defined as chitta vritti nirodhaha, it is pertinent that atha yoganushasanam comes before the definition. In that sense, it is a constant beginning. Every. Single. Time.
Uttanasana, Adho Mukha Svanasana, Tadasana, Sirsasasana, Urdhva Prasarita Ekpadasana, Ek pada Sirsasana forward, Parighasana, Ek pad Sirsasana sideways, Bharadwajasana, Sarvangasana and variations, Savasana
Thought I’d practice to one of my teacher’s classes but about 20 minutes in, I went my own way. Gomukhasana was on my mind since yesterday’s Garudasana exploration and I tinkered around playing with the leg position. Light on Yoga and Niño gave silent company as virasana and its variations, bhekasana, rajkapotasana, ek pada rajkapotasana, dhanurasana, etc. laid themselves out. It was not an in-depth study but more in the nature of a tasting. Touch and go as I tested the ability and capacity of the body. I’ve been more cautious than risk taking with respect to knee positions and it seems ok so far.
It is fascinating how time flies when on the mat some days. Today felt a bit like playing lego. Make, unmake, remake and so on as I entered gomukhasana through different doors. And in the bargain, the route that is emerging seems to be one that will aid some of the asanas that I struggle with like chaturanga dandasana and the balancing ones.
Something from today’s morning reading (2.25) stayed- ‘All these are subject to the gunas, which blend the behavioural pattern of an individual. If we understand the flow of these forces, we can reach balance, and from balance go on to true freedom. If not, we are swayed from one extreme to another, between pleasure and another pain. Yoga, says Patanjali, is the way to harmonize ourselves at every level with the natural order of the universe, from the physical to the most subtle, to reach the total state of health which brings stability, to cultivate the mind with real understanding, and to reach out ultimately to undifferentiated infinity.’
The concept of gunas is such a simple and profound one. The progression from understanding to balance to freedom as mentioned in the commentary matches the same simplicity and profundity of the concept itself. As I look at the sutras again and again, listen to some of their unpacking, I remain mesmerized by not just the thoughts but also the order and clean delivery. In my early readings of the Light on the Yoga Sutras of Patanjali, these were accessible through the lens of asana but over time, I am beginning to see how richly packed it is.
RIMYI follows an academic calendar from June to April. May is simply too hot for class. Usually, I’d feel mildly bereft but this year, I have been looking forward to this month. The last couple of years has been packed with classes and the last one in particular was intense with the additional commitments. So, this time off from structured class has been much needed.
Today’s practice was meant to be inversions but had to abandon it midway as the body was uncooperative. But, it was good as the enquiry into a shaky Ardha Chandrasana found me in Garudasana. There was no conscious sequence followed, it was more of play and exploration. Long story short, Garudasana was what I needed to practise. Inversions didn’t get thrown out completely though. I did end up in Sarvangasana that was tall, steady and comfortable. Even the Ek pada Sarvangasana had leftover imprints of the earlier pose.
While in Garudasana, I thought about the name as I was getting into the pose and that changed the texture of the asana. Simply invoking the idea of the bird invoked power, stability, control and an effortlessness. A mythical bird that features in the epics, it belongs to the raptor family like kites and eagles and epitomize elegance. It is a pleasure to watch them in the sky, whether they’re riding the thermals or swooping down. They embody power and effortless grace in their control and speed. Rupa, Lavanya, Balam.
The sutra says, रूपलावण्यबलवज्रसंहननत्वानि कायसंपत् . Guruji’s translation reads, ‘Perfection of the body consists of beauty of form, grace, strength, compactness, and the hardness and brilliance of a diamond’. In most of the commentaries, there is barely anything on this sutra. The Garuda Purana though has a lovely section (15) that unpacks the body, physical and esoteric. It provides a tidy account of the human embodiment which points to the way in which the body can be made fit for yoga. It is paradoxical at times how much the study of the body is really a study of the self beyond the confines of matter.
Practice is like a walk, you never quite know what you will discover. No matter how the body and mind behave, there is something revealed. I’ve been in a bit of a slump on the professional front. Part of the perils of working independently. But, these times also provide an opportunity for immersion in things that bring a sense of contentment and fulfilment. Practice, the written word, walks, trees and skies. Somehow, I find it harder to do work which does not sync with the rest of my life and that makes it a very narrow road to walk. Some days like today are a complete surrender to the Guru, the subject and silence. The answers will come, they usually do.
After almost 2 years, I was in the big hall again. This time with a few teachers as part of a pilot project on hybrid yoga classes. It was simply wonderful to be back in the hall, same and yet different. Zoom has become so much a part of the way yoga classes are conducted that most of us present also did the thumbs up to acknowledge comprehension. It was cute. There is some unlearning as well as some new learning in the way this moves forward.
All these days, classes were in a capsule, the energy that of the household or space where one practised. Zoom yoga is a very silent activity as there is only the teacher’s voice and the odd person asking for clarification. In the hall, there is movement and sounds of props, chatter as practitioners exchange thoughts or help each other. There is a larger space where you move to a wall or column or grill. At home, it is a tight dance around available space. Today, we chanted the invocation together loudly. At home, I often chant it silently with the teacher but it was good to feel my voice as part of the other voices. Another change, not the usual call and response but a chanting together in the interest of those attending remotely.
Although it was a class, it felt like practice. Perhaps, it was a remnant from the class the previous evening which was a silent one with no instructions but an opening that invited us to consider what it meant to be human, what it meant to be alive. My teacher touched briefly upon the yamas and the niyamas as well as our being and becomings. I chose to simply stay with the thought of the yamas as we went through the asanas. And simply considering the words- ahimsa, satya, asteya, brahmacharya and aparigraha through the cycle of poses led to a very reflective and quiet experience, one that spilled over into today too. The surrender in Uttanasana and Prasarita Padottanasana was very different.
While in the hall today, I found myself at home, at ease unlike before when I wondered what I was doing hanging around in the therapy class. Today as we helped each other learn certain actions, I found myself assisting teachers as we learned together. The previous me would have been horrified about how could I give teachers a hand. The thought didn’t cross my mind this morning. I still can’t do many asanas and am not driven enough to chase poses so probably have no business being there but I love the place and will simply keep showing up as long as they will have me. Another interesting observation was how I was able to consider and measure the extent of action that the teacher asked us to do. Often the repetition of cues would see me overdo because I wasn’t able to process enough to gauge what was the right extent.
The Iyengar yoga system can be compared to any of the old classical disciplines of Indian dance or music or martial arts. Tough, very little validation and a lot of pushing hard. As a beginner, I remember wanting to do the best pose and do everything perfectly. I was willing to push hard and wanted validation that my efforts were correct although I didn’t want to ask for it. So, I made a lot of mistakes but kept asking the questions of myself and over time, they got answered. Injury taught me patience and gave me time to observe. This kind of learning has been slow but quite rich as the lines between asana and life blurred until it simply became a whole system of living.
It is a changed world, this Covid one. In the past two years, the journey on the mat has been a wide one. In sheer asana proficiency, I progressed well till I could do some of the asanas much better than I could pre-pandemic but then had to scale down due to certain conditions. There were also unexpected finds such as asanas that I had never attempted coming very easily. And more recently a complete halt with Covid and a slow finding my way back to an active practice.
I had almost 2 weeks of no asana at all when I was recovering from the second bout of Covid. Post that it was a slow re-entry with plenty of supported forward bends gradually moving towards twists and reintroducing the other categories of asanas. During those days, the body simply didn’t want to even consider inversions or backbends or standing poses. They are now available albeit to a much smaller degree but the capacity is definitely increasing. Recovery is an interesting phenomenon whether of body, mind or emotion. I don’t fall sick easily and the odd time that I do, the bounce back is quick. This time around, I still feel like I’m convalescing. It is a different experience to be short of breath and not really trust your body to do certain things. Each day is a mindful exercise in managing tasks around energy levels. But today, I am happy and thrilled at having been in beloved RIMYI and lying down on the cool floor of the big hall post class. Maybe that powered me through a long day.
While in savasana today, there was a thought about how balance is not about balance but balancing. Sort of like homeostasis. It is a set of moments of steadiness which makes it a balance. What we seek or should seek is not balance but a steadiness, a comfort with the act of being steady, moment after moment. Sthira. Sukha. Asanam. Asana is a shaping of space in time, until it is free from the constraints of both.
I’ve been observing classes this week since getting the Covid bug. I watch tiny squares with bodies in different stages of entering, staying and exiting the poses. And I see fatigue in many students, the fatigue of an isolated practice. It must be hard for the teachers too. Everyone doesn’t enter the pose at the same time, camera angles are different, internet glitches etc mean that even the teaching is mostly a one way street. How much harder it is to unify energy that is dissipated across so many homes? And yet, there has been progress for many thanks to the class coming home.
This evening, I watched the class I demonstrate for and was reminded again of why we spend so much time in ‘straightening’ the hands and legs, ‘extending’ the spine, ‘lifting’ the chest. I remember my early struggles especially in Adho Mukha Svanasana. Recently in one of the classes, my teacher gave an interesting analogy of a 4 wheel drive in the pose. It made for an experiencing of the actions in each of the 4 limbs differently and to see how they all come together in one unified movement, despite their differences. Fine tuning like the old radios, again an analogy by the same teacher.
Back to balance, for example ardha chandrasana was always a tricky pose to maintain. The minute I thought I had it, I would lose balance. It was not a matter of practice, it was a matter of approach to understand how ‘sthira‘ and ‘sukha‘ were not just characteristics of asana but also a mind and breath space to inhabit them. And in the process, control came, balance was established and the joy of the asana was experienced. ‘Imagine a vast ardha chandrasana‘ like my teacher mentioned in one of the classes a couple of months ago.
Observing classes is so different for me now from what it was even a couple of years ago. Back then, it was an intellectual understanding, now I’m able to tap into memory to remember sensations of the different actions. But that was a necessary stage, to learn to look and hear. It allowed me to see and listen beyond just the shapes and observe quietness, activity, dullness, luminosity, etc. The sutras 46 to 48 in sadhana pada talk about this at a more exalted level of the soul, which is light years away for the likes of me. But even at the level of body, breath and mind, it is joyous.
Sometimes forced breaks are good. The pandemic gave me 5 classes a week plus time on the mat. A lot of input, doing and experiencing but not as much time devoted to articulating it. That too is necessary as one creates a lexicon of asana through one’s own understanding. We each do this differently, through the lens of our passions and interests whether music, art, literature, science, nature, etc. This period of doing nothing but observing in savasana has been good to allow the cream of various lessons to come to the surface. As always, I feel incredibly lucky to have come across this system of study which is at once so simple and so deep in its enquiry. There is something for everyone.
Months with 5 weeks have an extra serving of inversions and this evening’s class was an Adho Mukha Vrikshasana spread! There are many videos and instructions on handstands available online but the solidity of a live session is something else. As I kept doing multiple attempts, it felt like I was back in the big hall. At the end of class, my clothes were drenched and my heart was joyful. My teacher corrected quite a few mistakes and now I have some areas to work with. She has seen me from my very first year and being in her gaze makes a big difference. It is satisfying to push through habits/ conditionings.
Adho Mukha Vrikshasana is a good mirror to see oneself. While there is the physicality of the pose, what is also inherent is one’s approach to the asana. As I reflect on my journey into the pose, I see how my fears came from different areas. There was the knee, the arms, wrists etc. which needed time to be able to come this far. Jumpings were not possible with a bad knee but they are a part of my practice now. I’m able to do them without pain and there is confidence in landing. My arms are skinny and every time I stood on my hands, I would imagine them breaking like dry twigs. That visual image is no longer there. The arms still look like sticks 🙂 but I’m stronger.
It is not quite about the pose but the journey towards it that is fascinating for me. It is all the little bits and pieces of experience that one gathers along the way that shape the arrival at one’s destination. Like the LEGO blocks my younger one would play with. Make, break, remake, reimagine, make. This year, I’ve gone into poses I’ve never attempted before with ease simply because of a stubbornness in honing the actions in basic asanas. But sometimes, classes like this are a joy. The sheer exuberance of sweat and effort and will. Sweat cleanses in more ways than one. Effort keeps one grounded in one’s chosen field of study. It strips one of everything but the bare essentials. It shows up one’s own capacities and limitations, allows for respecting and challenging them respectively. But the tempering of discrimination is the key. And will is the backbone.
Life has a good rhythm with yoga being the fulcrum of my days. When I look back at my journey with RIMYI right from the first year of being an eager beaver to feeling out of my depth in intermediate classes to medical sessions for nearly two years followed by the most painful and transformational 3 months, I see a meandering road. Those days were followed by helping around in medical classes and getting back to regular beginner and intermediate classes before a pandemic struck. The online format last year allowed multiple classes and I also began learning pranayama. This academic year, there have been 2 additional sessions as a demonstrator which feels a little more intense than the others since I feel conscious of having to stay steady in the pose. I hope to continue with this sense of stability and contentment. Sthira Sukham Asanam is not only on the mat.
I decided to do the 18th week sequence from the Preliminary course book but come Virabhadrasana 3, a challenging pose for me, I paused. I looked up Light on Yoga, Yoga – A gem for Women and then a video on youtube and saw one of Kofi Busia teaching the pose. I didn’t take the same action since I saw that my problem child lay much more closer to the ground. I needed more of a lift especially in the left foot so rolled a belt and put it under the arch. Such a shift in stability. My knee got sorted, the snappy straightening of the leg didn’t happen and there was much more firmness in the leg not just while entering the pose but also exiting it. Usually, my ankles are dancing. An aha moment and one I tried in Trikonasana and Prasarita Padottanasana. The sequence went to toss as I explored the arches. It was a sharp zooming in and working piece meal. Post the session, I can still feel that steadiness. Skill versus power as Kofi Busia mentioned.
And then I thought about how it always comes back to the feet, the foundation of our bipedal existence. In Virabhadrasana 3, the mind is already far ahead in the future, thinking about balancing. It’s a good pose to study Atha Yoganusasanam, which was my morning reading and reflection. It’s such a beautiful way to begin an exposition. An invitation to discard the baggage of the past and the uncertainty of the future to simply act in the present. In this moment, I have free will and agency. I can choose which way to move, I can choose to change a set pattern, I can choose to break free or I can choose to continue in established behaviours.
The beauty of ‘atha’ lies in its ever freshness. It is forever eternal because it only exists now. A couple of days ago, I was listening to a podcast on homeostasis. It is a condition where the body is maintained at a certain optimum condition internally. It is not a static state but an ever dynamic one, adjusting constantly for changing environments, external and internal. The various systems of the body kick in to function as an integrated whole and each and every cell is involved. Asanas are also like that, dynamic in their stillness. For an apparently quiet sirsasana, there are many cogs in the wheel working to maintain that steady stillness. Someone like Guruji had extreme consciousness of each and every cell of his body.
Beyond the microcosm of the human embodiment, the universe too remains in the constant flux of the gunas. The penultimate sutra states “As the mutations of the gunas cease to function, time, the uninterrupted movement of moments, stops. This deconstruction of the flow of time is comprehensible only at this final stage of emancipation.” Time has been a theme running through this year. Between time on the mat and time in the woods, there was a recalibrating that happened rather organically. A minute became just a minute, an hour just an hour and the ability to be in the present increased while the feeling of being overwhelmed with tasks disappeared. I suppose part of it also had to do with getting off the internet as a source of news, entertainment and distraction. In a very unrefined, gross sort of a way, this change in how I used technology allowed a peek into the possibility of finding time’s true measure. The last couple of months without digital noise has made it possible to listen without distractions.
In the woods, I look at the trees and see how they grow ever so slowly, no rush whatsoever and there is no hankering after becoming. It’s simply a being in that time. Some years the flowering and fruiting is not as much, some years it is profuse. There is disease, decay and death but no sense of finiteness in the forest. All that dies simply becomes part of the forest and takes a different form, it releases the pressure of having to achieve something. I’ve been experiencing something like that. I still work, I still have to meet deadlines and have chores etc but they’ve all settled into an easy pace. Surprisingly, I find that I pack far more into my day, have better outcomes and yet feel like I have a lot of leisure time. And all this with good humour and a smile. I’ve also probably retreated further more into myself but it doesn’t feel closed in rather as though I am standing in an open field of light.
Coming back to practice today, the attention to the arches were a going back to basics. I still attend beginners classes and intend to do so until I am kicked out of it. I find that stepping back a few paces and working on those initial adjustments with some time under my belt gives me a better understanding. I work just as hard in those sessions as I do in the Intermediate ones. Yesterday’s classes were standing back arches and we prepped with some seated ones. The same preparatory poses had made me feel acidic a few months ago but this time, nothing. And I could trace the change back to simply learning to quieten the abdominal region. And that was learned while sitting straight but with a soft belly for invocation. Softness. Our brains, hearts are soft and yet they power our entire existence. Without them we wouldn’t exist regardless of the firm bones and muscles. Off the mat too, it is the same. Skill more than brute strength. Yogah Karmasu Kaushalam
The last week was intense. In addition to the regular classes, I also made it to the 2020 Yoganusanam classes held by the Belur trust. This is the first time for me and I was reminded of the very first time I watched as an observer 5 years ago. Geetaji’s commanding voice, the 1000 odd people rising into the poses as one and the entire stadium held in an unbroken stream of concentration. Back then, I was interested in the sequences, technicalities of the asanas but it’s changed in terms of focus now. I listen to glean clues about how Guruji and Geetaji might have practiced, how their lives on and off the mat had the same dynamism and stillness. Ultimately asanas are also a prop.
Covid-19 changed many things and in the context of yoga, made the practice of asanas a very indrawn one even while learning online. No doubt, it’s been a more physical practice but the fruits have been in intellectual clarity, mental steadiness and emotional stability. This year has probably seen me on the mat almost daily compared to the previous years and it has borne fruit to the extent of my efforts, perhaps a little more than that. At year’s end, I find that the reflections on the thought for the month helped me learn to bring my attention to a single idea and allow that to be the substratum of my daily living to the best of my awareness and ability.
The next year, I’d like to stay with just one thought, ‘Guruji’. Actually, it is already active. My year started with his birth anniversary. Perhaps, simply keeping that one thought in mind, I may be able to let a flavour of his sadhana percolate into my life as a student of yoga.
One of the things I love about this system of yogasanas is the use of analogies. They are liberally borrowed from music, nature, modern gadgets, food etc. Most of the similes do the job of conveying actions perfectly making instructions of ‘move this part or that’ almost unnecessary. Having the imagery of a raptor spreading its wings does more for a vimanasana than any instruction does in understanding the elegance in the extension and expansion of the pose.
The third pada talks about the siddhis, two of which are garima and laghima. Asanas are a place to experience that power as well, a teaser in a manner of speaking. For instance, how the action of the shoulder blades can create density and stability of the legs or how extension of the upper hand gives lightness in Trikonasana. A few days ago I read a biography of Ustad Vilayat Khan and also watched a documentary on Coltrane. Both maestros whose music had similar siddhi like powers – the lightest touch to the deepest somberness. As musicians, they spent their lives in tune with their instruments so much so that they sang through them. They didn’t need an external tuning equipment, that’s how much they were one with it. Their mastery transported not just them but all those who listened to their music.
This week has been a parivritta trikonasana concert and it was exhilarating. It is usually a pose where my weak knee gets annoyed but this exploration was one of length and breadth, free breath and effortless twisting. And it led to a stable and sustained parsva sirsasana. I was reminded of some impossible turning from last year and heard an echo of my teacher’s voice saying ‘make the back finer‘. I do miss the touch of adjustments that give a sharp push ahead but this learning is one where the earnings are from within the body’s deep intelligence. I find that I don’t want to ask questions or search for their answers elsewhere but within the boundaries of my skin. And staying with not knowing has allowed the body’s voice to be heard.
The single minded dedication of many hours , everyday for years may not be possible for the likes of us but even within the limited constraints of time available, it is evident how a little work over a long time develops refinement. The initial years are simply a lot of sweat and frustration like learning to write as a child in between lines but eventually, it becomes easier. I often find myself wandering between the quiet forests of yoga and writing, not quite sure which one is my home. The latter has been a longstanding sadhana since childhood but completely unguided. It has been an absorbed practice through reading and reflection, letting the words write themselves with my hands as the instrument. The words only flow through me, they come from elsewhere. Yoga though has been a systematic unfolding of a science, an art and a philosophy through the legacy of a giant, beautifully transmitted by his students. I find that both feed each other with the greater gain being one received from yoga. It enriches itself as well as the practice of words. Prose, pose and repose.
Despite the intensity and frequency of the classes I’ve been attending, there was a plateau of sorts. It was a continuous labouring while the magic was missing. These phases are common in learning and have always led to some brilliant aha moments. This time around they were aha days beginning with a class last week. Subsequent days have been like a breakthrough with different actions coming together.
It began with a brick in one of the classes that awakened the mind and body to bring all the actions that were being taught into one unit as a whole. From the crown of the head to the toes, each area was jogged into wakefulness separately over the days and somehow they started to sort of work together simultaneously too. Of course, it remains a very, very preliminary coming together but the sense of the cogs working in unison is there. Much of the awareness be it limb or spine has been thanks to simple props like the brick, belt or wall. Amongst the props, I prefer the hard wooden blocks and benches for their ability to give clarity. I enjoy the imprint they leave long after the practice is over. The wall while seemingly a support is a tough teacher.
Today’s practice, actually play, was completely spontaneous and not a repetition of anything I’ve learned in class. Just a freewheeling with bricks and the wall. End result was a (what I thought) good looking trikonasana. Post practice, I looked at Guruji’s image in the pose, watched the 26 minutes trikonasana teaching by Geetaji and read from The Alpha and Omega of Trikonasana.
I’m reasonably satisfied with the presentation today but even before comparing my picture to see the improvements required, I noticed areas that were not fully engaged. Studying the asana against Guruji’s image sharpened that understanding while Geetaji’s instructions reminded me of some of the actions that needed to be kept in mind. Finally, the book put the pose in perspective by helping me see the rungs of the ladders in studying an asana. Staying with the imagery of bricks and working with bricks brought to mind the traditional methods and tools of masons. There’s a centrality, evenness and wholeness in a well executed structure, just like what is sought in asana.
Why bother with such attention to detail? Why bother with such rigour when it is essentially just a pose held for a brief time? How does working towards perfecting Trikonasana make a difference in my life or that of anyone else? Every once in a while, I ask myself the why of what I do in the different spaces of my life. The base answer usually remains the same but I do discover aspects of myself as new layers get uncovered. In the case of asana, one answer would be that I want a good savasana experience, that’s where I experience fruition of asana. Another would be that I would like to improve my staying capacity and alignment in sirsasana. The answer that doesn’t usually crop up is that I work hard to develop persistence, courage, equanimity, resilience, compassion, joy, good humour etc. but that is the real why. Those attitudes are the building blocks of living well, keeping the house of one’s life standing firm, come stillness or storm.
I’m keenly aware that sometimes the tempests of illness, injury, loss etc. can be terrifying and houses collapse, people crumple. I too have experienced that bewilderment of loss, literally and metaphorically. It seems impossible to get on the mat or sift through the debris. But brick by brick, a house comes to stand again, doors open, sunshine enters through its windows. Space is created, in the body and the heart.
The last six weeks have been intense with classes five days a week. It’s been a soaking in and while the greedy student in me wants to continue, I think it’s best to scale down from next month. I’d like to accumulate less learning and experience and explore more instead. It feels a bit lazy to depend so much on online classes rather than struggle a bit on my own. Of course, I need and want my teachers but I could do with more self practice.
Today’s class had multiple repetitions of brick setuband sarvangasana and variations. By the end of the 90 minutes, there was a fire lit in the sacral region, not in a sore way but in an alive sense. Sirsasana and sarvangasana that came towards the end of class was beautiful in its steadiness thanks to that imprint of the brick. The bio mechanics of asanas also means freedom in the corresponding frontal body and I was left with a feeling of fearless vulnerability. The eyes too experienced something different today unlike the usual 1000 watt going off in the head. It is difficult to articulate the sensations, a cradling of the lower part of the eyes would be somewhat close.
The brick was a wonderful teacher, it’s constant pricking never letting me forget what our teacher wanted us to experience. Like she said, one part is about doing the asana and the other is feeling the asana. Range, endurance, flexibility all of that comes slowly or fast. It may come and go depending on illness, injury or other conditions but the feeling of the asana can be replicated using props. In this online format and with fewer props, we often substitute the usual ones with items at home like pressure cookers, stools, pillows, dupattas, sarees, sheets, steel dabbas, dining tables, chairs, sofas, beds, walls etc. It reminds me of Guruji’s early days and how his curiosity made him play with easily available materials to teach himself.
He was a brilliant student, curious and tenacious. As a student, there is much to learn from the way he learned. He listened, he observed, he experimented. There wasn’t any sense of an end goal to be achieved, rather it was more an immersion in the endlessness of yoga. I doubt I’d ever have even a fraction of that zeal and commitment, at best I could possibly expect to plod along in fits and starts. As I reflect on today’s class, I find myself asking yet again- why do I practise yoga, what is the fascination with asana that makes me go back time and time again? There is the mental clarity, emotional stability, physical well-being but I suppose it is also a being alive in this embodiment fully and without limitations. Somehow yoga has never been about getting something in return for time on the mat, the fulfillment has been in the endeavours.