One of the things I love about this system of yogasanas is the use of analogies. They are liberally borrowed from music, nature, modern gadgets, food etc. Most of the similes do the job of conveying actions perfectly making instructions of ‘move this part or that’ almost unnecessary. Having the imagery of a raptor spreading its wings does more for a vimanasana than any instruction does in understanding the elegance in the extension and expansion of the pose.
The third pada talks about the siddhis, two of which are garima and laghima. Asanas are a place to experience that power as well, a teaser in a manner of speaking. For instance, how the action of the shoulder blades can create density and stability of the legs or how extension of the upper hand gives lightness in Trikonasana. A few days ago I read a biography of Ustad Vilayat Khan and also watched a documentary on Coltrane. Both maestros whose music had similar siddhi like powers – the lightest touch to the deepest somberness. As musicians, they spent their lives in tune with their instruments so much so that they sang through them. They didn’t need an external tuning equipment, that’s how much they were one with it. Their mastery transported not just them but all those who listened to their music.
This week has been a parivritta trikonasana concert and it was exhilarating. It is usually a pose where my weak knee gets annoyed but this exploration was one of length and breadth, free breath and effortless twisting. And it led to a stable and sustained parsva sirsasana. I was reminded of some impossible turning from last year and heard an echo of my teacher’s voice saying ‘make the back finer‘. I do miss the touch of adjustments that give a sharp push ahead but this learning is one where the earnings are from within the body’s deep intelligence. I find that I don’t want to ask questions or search for their answers elsewhere but within the boundaries of my skin. And staying with not knowing has allowed the body’s voice to be heard.
The single minded dedication of many hours , everyday for years may not be possible for the likes of us but even within the limited constraints of time available, it is evident how a little work over a long time develops refinement. The initial years are simply a lot of sweat and frustration like learning to write as a child in between lines but eventually, it becomes easier. I often find myself wandering between the quiet forests of yoga and writing, not quite sure which one is my home. The latter has been a longstanding sadhana since childhood but completely unguided. It has been an absorbed practice through reading and reflection, letting the words write themselves with my hands as the instrument. The words only flow through me, they come from elsewhere. Yoga though has been a systematic unfolding of a science, an art and a philosophy through the legacy of a giant, beautifully transmitted by his students. I find that both feed each other with the greater gain being one received from yoga. It enriches itself as well as the practice of words. Prose, pose and repose.
4 thoughts on “Hitting the right note”
A concert. I love your way with words and insights into yoga.
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Oh yes, I really miss my teacher’s assists, but there’s also something wonderful about allowing my body’s voice to be heard and to learn to trust what it tells me! x
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Such a beautiful and profound reflection! Love the last sentence: “prose, pose, and repose”. How our sadhanas intertwine… this has been top of mind for me lately, as I explore the interplay between Bharatanatyam and Yogāsana. Your writing often nudges me into interesting and helpful perspectives… Love!
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Yes, always nudges me into those new ideas and observations too xx
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