Despite the intensity and frequency of the classes I’ve been attending, there was a plateau of sorts. It was a continuous labouring while the magic was missing. These phases are common in learning and have always led to some brilliant aha moments. This time around they were aha days beginning with a class last week. Subsequent days have been like a breakthrough with different actions coming together.
It began with a brick in one of the classes that awakened the mind and body to bring all the actions that were being taught into one unit as a whole. From the crown of the head to the toes, each area was jogged into wakefulness separately over the days and somehow they started to sort of work together simultaneously too. Of course, it remains a very, very preliminary coming together but the sense of the cogs working in unison is there. Much of the awareness be it limb or spine has been thanks to simple props like the brick, belt or wall. Amongst the props, I prefer the hard wooden blocks and benches for their ability to give clarity. I enjoy the imprint they leave long after the practice is over. The wall while seemingly a support is a tough teacher.
Today’s practice, actually play, was completely spontaneous and not a repetition of anything I’ve learned in class. Just a freewheeling with bricks and the wall. End result was a (what I thought) good looking trikonasana. Post practice, I looked at Guruji’s image in the pose, watched the 26 minutes trikonasana teaching by Geetaji and read from The Alpha and Omega of Trikonasana.
I’m reasonably satisfied with the presentation today but even before comparing my picture to see the improvements required, I noticed areas that were not fully engaged. Studying the asana against Guruji’s image sharpened that understanding while Geetaji’s instructions reminded me of some of the actions that needed to be kept in mind. Finally, the book put the pose in perspective by helping me see the rungs of the ladders in studying an asana. Staying with the imagery of bricks and working with bricks brought to mind the traditional methods and tools of masons. There’s a centrality, evenness and wholeness in a well executed structure, just like what is sought in asana.
Why bother with such attention to detail? Why bother with such rigour when it is essentially just a pose held for a brief time? How does working towards perfecting Trikonasana make a difference in my life or that of anyone else? Every once in a while, I ask myself the why of what I do in the different spaces of my life. The base answer usually remains the same but I do discover aspects of myself as new layers get uncovered. In the case of asana, one answer would be that I want a good savasana experience, that’s where I experience fruition of asana. Another would be that I would like to improve my staying capacity and alignment in sirsasana. The answer that doesn’t usually crop up is that I work hard to develop persistence, courage, equanimity, resilience, compassion, joy, good humour etc. but that is the real why. Those attitudes are the building blocks of living well, keeping the house of one’s life standing firm, come stillness or storm.
I’m keenly aware that sometimes the tempests of illness, injury, loss etc. can be terrifying and houses collapse, people crumple. I too have experienced that bewilderment of loss, literally and metaphorically. It seems impossible to get on the mat or sift through the debris. But brick by brick, a house comes to stand again, doors open, sunshine enters through its windows. Space is created, in the body and the heart.
3 thoughts on “The house of trikonasana”
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I always enjoy reading your posts. I agree that the brick and other props can be such a great teacher. Love the image of the house of Trikonasana!
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Thank you! Props have been a good way to learn without physical adjustments.
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